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Songwriting · Lesson 3

Rhyme and the Singable Line

Rhyme is a magnet. Prosody is whether the stress of the word matches the beat you will sing.

16 min · Read → Apply → Prove

Step 1 · Read

Sound that can be sung

A line that looks clever on paper can fight the melody. Speak it. Then sing it on one note if you have to.

  • Perfect rhyme is a click. Slant rhyme (near sound) can feel more talky and modern.
  • Inner rhyme keeps a long line from sagging.
  • Prosody: don’t put a weak syllable on a strong beat (“to THE store” vs “TO the STORE”). Speak the line as you would in a room.
  • Open vowels (ah, oh) are easier to sustain than clusters of consonants at the end of a held note.

You do not need notation for this lesson. If you cannot say the line in one breath with the stresses you want, rewrite the words — not the blame on the singer.

Step 2 · Apply

Put it into practice

A short exercise to turn what you learned into skill.

Write at least two lyric lines meant to be sung. Name the sound tool (rhyme, alliteration, assonance, or repetition) and quote it.

Read them out loud once. If you trip, fix the trip — that is prosody.

Step 3 · Prove

Lesson test

Pass with 70% or higher to complete this lesson.